Crossing Over

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“And your husband, is he Armenian too?” ask the ladies as they make lavash. “He is not Hie, but he has an Armenian heart.” How they smile! My blood–now that is another matter, separated from my heart by some kind of genetic moat. Or can my Armenian heart change my blood, the way a wine cask seasons wine?

Maybe that’s what their smile says. image

We are sitting with Vergine, a venerated folklorist and Yerevantsi scholar who has also compiled a massive tome of eyewitness accounts of the genocidal atrocities. Dana sings her Armenian folk songs, remembered from 40 year old recordings of George Mgrdichian, who introduced the oud to America, and to me. Vergine writes down lyrics she never heard before:

Yerkenk barenk miatseen, Vor mer tsegh getar mena Let’s sing and dance together! So our race can continue!

Vahan an American-Armenian professor here, turns over the grapes from his farm outside of Yerevan to his friend Mavrik, who makes wine out of them. Mavrik, while showing us how to distill vodka from mulberries with a still on his shaded porch, explains how mixed up Armenian blood has become. image   Ethnic marms disdain the notion of romantic inter-marriage, calling it bad fiction. Meanwhile, my eligible (well, not exactly eligible!) sons in the country for 2 weeks, and they receive at least 4 recommendations to marry an Armenian!

After a marvelous Spring in Yerevan, I’m pulling up my stakes, preparing for a different kind of crossing over. The joy of travel seeks novelty at first, then it backflips, and revels in similarities. Here I have seen new kinds of humility, of resilience, of professional dedication, of national pride, and of gratitude. I leave wondering, how can people, nations, hold together over what we hold in common, and still celebrate differences? Nature relentlessly mixes us up, crosses over our chromatids, separates and re-joins us.

Returning with me are memories of heroic clinicians working with generosity and competence for a pittance; and of new music, new ways to move with it. I am odar (foreign), but I identify with the love of Armenians for their own particular ways–a love I hardly knew as an American. This love, knotted like a carpet (the word carpet is Armenian for knotted), itself becomes a treasure. It binds together, like family; and it has an ambivalent boundary, unsure of its own porousness, of how to stay pure.

I want to see that boundary melted with beautiful cultural fusions, with people helping each other to heal. Then, I want to go into the heart of the village, see the fathers holding their daughters’ hands, dance the Tzakhadzor, sit with the doctors and the families, and listen to the old women’s stories. Our planet’s heart has many chambers.

Bell at hakhpat monastery

Song: Our Big Trip: Our Big Trip

Art Meetings

June 15 In 2 hours, Turks, Azerbaijanis, Georgians, and Armenians, will simultaneously sit down and, for 24 hours, write stories and draw comics according to an on-the-spot assignment. (Armenia’s First 24 Hour Comics Event ) They must improvise, they must imagine, they must stay awake. Thank you, actual art (project organizer); thank you Democracy Project of the US Embassy (funded the project); thank you, Dana (project doula). The center of the action is Gyumri, still hollowed out from the earthquake, but with a vibrant art school. Many artists will check in remotely from their home countries via internet. Together they will suffer sleep deprivation, revel in creativity, and meet a deadline.

Guitar–Meet Me in the Rain (in 10)

Since I learned that the physiological necessity of sleep concerns neural waste removal, I have become something of a nag to my spouse about adequate sleep. “You can’t just keep piling up those dishes!” I tell her, feeling the poetic justice. So you’re a dolphin, or a swift, and need to keep moving? All right then, sleep half your brain at a time. But now this: 24 hour comics. Let the dishes pile for a while. The Caucasus needs its artists to meet, to push its envelopes.

Transport in metch (on the bus) A fellow passenger hands me her kopeks (coins) to give to the driver, as I’m sitting nearest to him. “Me-hat?” (one fare?) asks the driver. Yerek hat (3) she answers. I pass back the change, kopek bucket-line. Eyebrows raise a quarter-second, a fraction of surprise. I’m an odar, not the usual model for this little role.

Sometimes I think Armenia is even more ethnically homogeneous than Vermont. Now, in June, Americans with ostentatious backpacks increasingly punctuate the sidewalks, bickering over their blackberry vodka, explaining crosswalk rules to each other. I see it-their faces may look Armenian, but they aren’t. But hold on here–condescension towards my own compatriots? Reflexive xenophobia by proxy? Anyhow, what’s an Armenian face? Sometimes it is dark as cocoa, sometimes freckled and fair. These people are as diverse as Argentineans. Will the real Armenian please stand up? All rise.

Bari Ghoompe Two dance groups jammed over at the history library last night. For the closing photo, I crouch in the back row. It’s the young man next to me–he doesn’t want me to dwarf him. Having struggled in vain to interpolate some of his taller brethren between us, he’s up on his toes. I can bend.

With only a week left, I am opting for taxis, whisking around the city from rim to rim, fitting in a few more meetings, catching my Oud lesson. Aram and I do this mostly in Armenian. Since we both strive to speak in music, linguistic limitations have minimal impact. Do you use do-re-mi-fa? Che (nope). Do you read music? Eye-oh! (yes). Handipenk. We meet.

Mikhail Zlatkovsky, cartoon

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A Positive Friend

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The consciousness of those with Korsakoff’s psychosis–historically an illness of alcoholics with thiamine deficiency–is cheerfully biased. So it was with my friend Herbie, a dog who passed to his rewards a few months ago. Sure, he would cower in his corner of shame, even before being scolded, after a countertop sortie. Chocolate, aka theobromine, food of the gods–he left us with no doubt that this was to die for, worth the guilt. I remember bringing him to the vet, stuporous and tachycardic after one of his cocoa binges.

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Though poisoning was his occupational hazard, scavenging was a survival instinct that ultimately brought him to me. And from his first arrival, hurt-me cute at 7 weeks, Herbie had a way of positively spinning the moments, with his hyperbolic tail, and his 4 footed rumbas. Surely these gestures were also known by his ancestors, comrades of Labrador fisherman in their dark chilly camps. Three dozen dog generations ago, Herbie’s brethren were cadging fish-heads, telling jokes, and pretending to retrieve things on rocky maritime shores.

Herbie could empathize, and knew when you were fretting. “You need some comfort. How about some tawny ears of velvet and a golden dome to rest your hand on?” And it always worked. He would wear himself out just to be with you, and always came over to listen to my Sunday morning dining room songs.

Most of the un-leashed, commensal dogs of Yerevan have a more reserved affect, which I assume suits their urban niche from a natural selection point of view. Some are Corgi types, sans Queen, and there are a variety of grayish, retiring characters with sparse, wiry fur who may catch your peripheral vision as they doze in a doorstep.

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There is the occasional leashed canine on the scale of Herbie, smiling no more than their masters. To me their lives are a secret, while Herbie’s was an open book.

On Herbie’s last day, I am looking at this portrait of a horse at the Matenadaran museum. My neighbor Dan could talk about horses like this, knowing every bit of their surfaces, like I know that old dog.

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Looking at this picture, I feel a hollow in my right palm, where that furry occiput, Herbie’s yellow head, fit so nicely, and I remember a fellow creature who was wired for joy.

Mikhail Zlatkovsky, Russian Cartoonistimageimage

Protected

Clinic-the villages Aida, the lead physician, is good-natured, blustersome, and almost 5 feet tall–“I am short, but I know a lot!” The interview goes according to her agenda. She tells me of their scrupulous immunization practices, handed down from a higher, scientific authority. Aida sends us off in her jovial way–“Thank you for coming, and thank you for not eating our chocolates and drinking our coffee!”

Haemophilus influenza, diphtheria, tetanus, measles, mumps, rubella, pertussis–germs to which children, infants, and expecting mothers have a special vulnerability–they won’t find a toe-hold here. Armenian parents, like many Vermonters, have a history of skepticism about this kind of protection. But here they are increasingly accepting of vaccination, partly because all vaccinees can expect a house call within 3 days. I might have considered this excessive, but the clinicians say their patients avoid immunization complications because of the careful checking.

When Tavid, now 25, emerged from his doctor shot visit 20 years ago, he exulted, “I feel so clean!” That protected, connected, microbially righteous feeling, like he was wearing a new coat of arms.

Sarian Museum Sarian, who designed Armenia’s coat of arms decades ago, stands with Monet and Chagall among painters. He wrote about how a feeling of connection to the earth depends on knowing, and loving, a specific landscape and community.

Life is an island. People come out of the sea, cross the island, and return to the sea. But this short life is long and beautiful. In getting to know nature man exalts the wonder and beauty of life.

Sarian paintings: imageimage                    

Travelling, Tavush and Lorry Marz We’re at home in these mountainous, forested, northeastern provinces–Armenia’s little Vermont. At Haghpat monastery (also part university, part caravansary, part fort), the swifts are raising their young inside the 1100 year old walls of the sanctuary. Tiny beaks show in the portholes of round gray nest-walls as the parents arrive with treats. The monasteries are built at the tips of mountainous promontories, soaring over the green zor (valleys). Their approaches, and the people, treasures, and manuscripts within, were protected by walls 20 feet high and 4 feet thick. Those marauders’ were determined.

Monastery swifts:

In the valley below, stream frogs court in strange amphibian phonemes I’ve never heard:

Sanahin village, a few miles away, has a monastery and a museum with an actual MiG fighter jet in front, because it was designed by one of Sanahin’s native sons, Artem Mikoyan.

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A grand niece–a real Mikoyan–shows pictures of Artem’s illustrious brother, politician Anastas Mikoyan.

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Among other accomplishments, Anastas averted World War III, and brought ice cream from America to the Soviet Union. Stalin: “You, Anastas, care more about ice-cream, than about communism.” I like your priorities, Anastas.

Cascade, 9PM An outdoor dance event, last friday of every month. A young man asks, “you want to join?” He takes my right hand as I join the circle. It turns out I know this dance better than him. “Oh, you know this one!” But he’s catching it from me, and I feel the safety of belonging.